Zoom SSH-6 Stereo Shotgun Microphone Capsule for H5, H6, Q8, F8

Rated 4.6/5 based on 1 customer reviews

15945 ar PVN

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17346
4515260014279
Zoom

Jauns

Delivery Instore
iespējams pēc 12.12.2024
Saņemt veikalā
Bezmaksas
Delivery Postbox
iespējams pēc 12.12.2024
Pakomāts (Omniva, DPD, Venipak)
Bezmaksas
Delivery
iespējams pēc 12.12.2024
Kurjers (DPD, Omniva)
no 10 €
Delivery Bycicle
iespējams pēc 12.12.2024
Velokurjers (tikai Rīga)
no 7 €

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The Zoom SSH-6 Stereo Shotgun Microphone Capsule is designed to work with the company's H5 and H6 audio recorders as well as the hybrid Q8 audio and video recorder. The capsule includes a super-directional microphone for picking up sound on center that can be combined with a bidirectional side microphone for picking up sound from the left or right to record a fully mono-compatible stereo image for film, video, and television projects. For example, you can record dialogue with the center microphone and then mix the desired amount of environmental sound captured by the side microphone with the Zoom recorder. A hairy windscreen is included for helping reduce wind noise.

TypeMid-side stereo shotgun microphone
Polar PatternHyper cardioid
CompatibilityZoom H5 Recorder
Zoom H6 Recorder
Zoom Q8
DimensionsNot specified by the manufacturer
WeightNot specified by the manufacturer



Zoom SSH-6 Stereo Shotgun Microphone

The SSH-6 is a mid-side stereo shotgun mic capsule for ZOOM H5 and H6 recorders. Along with a super-directional shotgun mic for capturing sound in the center, it has a bidirectional side mic for capturing sounds from the left and right. You can change the stereo width as you like by adjusting the side mic level in the same way as with the MSH-6 mid-side stereo mic capsule. If you use the RAW mode setting, you can adjust the stereo width after recording. You can use this feature to capture a specific sound source with the shotgun mic, and then mix in the environmental sound captured by the side mic later.

For example, when used to record audio for movies, video or news, the voice of an actor or reporter can be clearly captured. Then, environmental sounds can be mixed in during post-production to add a sense of being in the place. On the other hand, if the sound of the environment is noisy, you can lower the side mic level to make spoken lines and narration easier to hear. Even when retaking is not an option in professional situations, this allows flexible handling of recordings according to circumstances. A hairy windscreen is included that boasts professional level wind noise reduction.

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