Jauns
Bajonete | Canon EF |
Lens Format Coverage | Full Frame |
Lens Design | maināms |
Objektīva fokusa attālums, mm | 100-400 |
Focus Type | Autofocus |
Image Stabilization | Ir |
Objektīva tips | tele zoom |
Filtra izmērs | 67mm |
Maksimālā apertūra | f/5.6 to 6.3 |
Blending a long reach with a convenient form factor, the Canon EF-mount 100-400mm f/5-6.3 DG OS HSM Lens is a telephoto zoom within Sigma's Contemporary series that blends both a refined optical design with a compact and lightweight physical construction. On the optical front, this zoom utilizes four SLD glass elements to noticeably reduce chromatic aberrations and color fringing throughout the zoom range for improved clarity and color accuracy, and a Super Multi-Layer Coating has also been applied to increase contrast when working in strong lighting conditions.
Balancing the optics, the lens sports a Hyper Sonic Motor to produce quick, smooth, and quiet autofocus performance with full-time manual focus override. An Optical Stabilizer also benefits handheld shooting by minimizing the appearance of camera shake for sharper imagery. The physical design utilizes Thermally Stable Composite material for durability in a wide range of environments; both twist and push-pull zoom mechanisms are available for improved control over field of view; and a brass bayonet mount also offers rigidity and mounting precision.
Performance | |
---|---|
Focal Length | 100 - 400mm |
Aperture | Maximum: f/5 - 6.3 Minimum: f/22 |
Camera Mount Type | Canon EF |
Format Compatibility | 35mm Film / Full-Frame Digital Sensor |
Angle of View | 24.4° - 6.2° |
Minimum Focus Distance | 5.25' (1.6 m) |
Maximum Reproduction Ratio | 1:3.8 |
Elements/Groups | 21 / 15 |
Diaphragm Blades | 9, Rounded |
Sigma 100-400/5,0-6,3 DG OS HSM [C] CANON
An ultra-telephoto lens with an optical stabilizer (OS) system has several advantages. The OS allows the photographer to take photographs in unstable circumstances. The narrow angle of view makes it possible to dramatically compress perspective and flexible handling of the background. The photographer can thereby make the subject appear to jump out of the image, with the area in focus impressively sharp and clear. Nevertheless, ultra-telephoto lenses have traditionally had some disadvantages as well. As the nickname “bazooka” implies, they have tended to be big, heavy, and therefore burdensome to carry around. With the goal of creating an ultra-telephoto lens that is far more accessible, SIGMA incorporated all of its latest technologies into SIGMA 100-400mm F5-6.3 DG OS HSM | Contemporary.
SIGMA 100-400mm F5-6.3 DG OS HSM | Contemporary offers the compact size, lightweight, and high cost performance of a 70-300mm lens while delivering 400mm telephoto performance. This approach results in a tempting new ultra-telephoto choice for photographers. Offering a combination of stunning image quality and outstanding functionality, this lens satisfies the needs of pros and amateurs alike. Introducing the new and greatly enhanced “light bazooka” ultra-telephoto zoom lens.
In designing this lens, SIGMA strived to push both compactness and image quality to the limit. Four SLD glass lens elements and an optimized power distribution help minimize optical aberrations. Moreover, by taking special care to minimize transverse chromatic aberration, which cannot be corrected via aperture control, SIGMA has ensured outstanding image quality throughout the zoom range.
The degree to which light is refracted by glass depends on the light’s wavelength. This fact causes different colors of light to focus at slightly different points. The result is chromatic aberration, the color fringing that is particularly noticeable in telephoto lenses. Most chromatic aberration can be removed by combining a high-refractivity convex lens element with a low-refractivity concave element. Yet residual chromatic aberration known as “secondary spectrum” may still remain. To minimize this secondary spectrum, which can be a serious issue with conventional lenses, SIGMA lenses feature up to three types of exclusive low-dispersion glass offering superior performance: ELD (Extraordinary Low Dispersion), SLD (Special Low Dispersion) and FLD (“F” Low Dispersion). In particular, FLD glass offers ultra-low dispersion in combination with high transmittance and the anomalous dispersion characteristics of fluorite. Meticulous deployment of these types of exclusive low-dispersion glass and optimization of power distribution gives SIGMA lenses superlative image rendition undiminished by residual chromatic aberration.
Lens Construction | 21 elements in 15 groups |
Angle of View (for SD1) | 24.4 – 6.2 degrees |
Number of Diaphragm Blades | 9 Blades (rounded diaphragm) |
Minimum Aperture | F22 |
Minimum Focusing Distance | 160cm / 63in |
Maximum Magnification | 1:3.8 |
Filter Size | Diameter 67mm |
Dimensions | Diameter 86.4mm x Length 182.3mm / 3.4in. x 7.2in. |
Weight | 1,160 g/ 40.9oz. |
Bajonete | Canon EF |
Lens Format Coverage | Full Frame |
Lens Design | maināms |
Objektīva fokusa attālums, mm | 100-400 |
Focus Type | Autofocus |
Image Stabilization | Ir |
Objektīva tips | tele zoom |
Filtra izmērs | 67mm |
Maksimālā apertūra | f/5.6 to 6.3 |