New product
Sigma Sigma 24-35/2,0 DG HSM CANON
While offering the premier optics of the Art line, this lens covers 24mm, 28mm and 35mm focal lengths. Incredible performance overturns the conventional perception of a zoom lens. SIGMA was determined to create a zoom lens that offers the same brightness and resolution as a fixed focal length lens: in other words, the highest level of optical performance. The result of this challenge was the SIGMA 18-35mm F1.8 DC HSM | Art, the world’s first zoom to offer a fast F1.8 aperture value throughout the zoom range.
Building on this concept, SIGMA has developed the new SIGMA 24-35mm F2 DG HSM | Art for 35mm full frame sensor. It allows photographers to carry one lens to do the work of three fixed focal length lenses, a 24mm, 28mm and 35mm — with F2 brightness and top optical performance. One package delivers flexible functionality and high convenience. In particular, at the 24mm and 35mm focal lengths, this lens offers the performance that is equivalent to that of two prime lenses in the Art line. Instead of changing one high-performance fixed focal length lens for another, simply zoom. This is a new zoom lens for 35mm full frame sensor SLRs that offers the quality of a fixed focal length lens at various angles of view.
Optical performance equivalent to a fixed focal length lens throughout the entire zoom range. These are the concepts the SIGMA 24-35mm F2 DG HSM | Art embodies. It covers three of the most commonly used prime lenses, 24mm, 28mm and 35mm all in one lens. In order to achieve an attractive bokeh effect at wide aperture, we have developed the world’s first* zoom lens for the 35mm full frame sensor with an F2 aperture value throughout the zoom range.
Outstanding optical performance
By minimizing aberration using the latest design technology and know-how that has been accumulated from lens development over many years, this lens achieves astonishing rendering performance, even in the corners, with ultra-high resolution. Whilst featuring higher resolution around the focus point, the lens ensures a smooth and natural bokeh effect. Both high definition rendering without color aberration and natural bokeh expression are possible, even from the maximum aperture.
Delivering excellent functionality and convenience, one lens offers the equivalent quality of three high-performance fixed focal length lenses at F2 brightness: 24mm, 28mm and 35mm. With a minimum focusing distance of 28cm and a maximum magnification ratio of 1:4.4, this lens is suitable for close-up shooting, portraits with an attractive bokeh and deep-focus landscape photography. Photographers have access to the angle of view equivalent to that of three wide-angle lenses without having to switch them. While achieving the desired background effect can be difficult with a conventional wide-angle lens, the large diameter of this lens allows photographers to open the aperture wide and use the shallow focus to achieve stunning results.
Incorporating SIGMA’s latest technologies
To realize a large-diameter zoom lens for full frame cameras with F2 brightness, SIGMA designed each and every part with uncompromising care and quality. The lens incorporates large-diameter aspherical lens elements, which require advanced technologies to manufacture, one FLD (“F” Low Dispersion)* glass and seven SLD (Special Low Dispersion) glass elements, of which two are aspherical lenses. The advanced optics and optimized lens power distribution minimize spherical aberration, axial chromatic aberration and field curvature, resulting in outstanding optical performance. Even at widest aperture, this lens delivers breathtaking image quality.
* FLD glass is the highest level low dispersion glass available with extremely high light transmission. This optical glass has a performance equal to fluorite glass which has a low refractive index and low dispersion compared to current optical glass. It also benefits from high anomalous dispersion. These characteristics give excellent correction for residual chromatic aberration (secondary spectrum) which cannot be corrected by ordinary optical glass and ensures high definition and high contrast images.
Convenient handling
The inner focusing system eliminates front lens rotation, enhancing the lens’ stability and allowing use of Circular Polarizing filters. This specification is particularly convenient for shooting video.
Designed to minimize flare and ghosting
With a minimum focusing distance of 28cm and a maximum magnification ratio of 1:4.4, this lens is excellent for close-up photography.
Minimum focusing distance of 28cm
From an early stage in the lens design process, flare and ghosting have been measured to establish an optical design resistant to strong incident light sources such as backlighting. The Super Multi-Layer Coating reduces flare and ghosting and provides sharp and high contrast images even in backlit conditions. The included lens hood can be attached to block out extraneous light, which can have a negative effect on rendering performance.
Lens Construction | 18 Elements in 13 Groups |
Angle of View (for SD1) | 84.1 – 63.4 degrees |
Number of Diaphragm Blades | 9 Blades (Rounded diaphragm) |
Minimum Aperture | F16 |
Minimum Focusing Distance | 28cm / 11.0in. |
Maximum Magnification | 1:4.4 |
Filter Size | Diameter 82mm |
Dimensions | Diameter 87.6mm x Length 122.7mm / 3.4in. x 4.8in. |
Weight | 940g / 33.2oz. |
Lens mount | Canon EF |
Lens Format Coverage | Full Frame |
Lens Design | Zoom Lenses |
Lens focus length, mm | 24-35 |
Focus Type | Autofocus |
Image Stabilization | No |
Lens type | wideangle |
Filter size | 72mm |
Maximum Aperture | f/2 |