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World's First 4K 60p/50p Video Recording Digital Single Lens Mirrorless Camera Featuring 6K Photo
Capable of 6K Photo and 4K recording, the Panasonic Lumix DMC-GH5 with 12-60mm Lens is a new upgrade to the popular GH4, offering exceptional performance for professional photographers and videographers alike. Built around a new 20.3-megapixel sensor and Venus Engine image processor, the flagship GH5 is capable of recording 4K 60p/50p footage and 4:2:2 10-bit 4K video to UHS-II compatible dual SD card slots. Like its predecessor, the GH5 is fully weather-sealed and offers 12fps continuous shooting.
Unprecedented picture quality in the history of LUMIX cameras
20.3-megapixel Digital LIVE MOS sensor
The LUMIX GH5 is able to realise high-quality images with real-to-life detail through excellent resolution, image rendering and colour reproduction. Its new Digital LIVE MOS Sensor increases the pixel count by 25% compared to the GH4, from 16.05 to 20.3 megapixels, while also removing the low-pass filter.
New image processor Venus Engine
The camera also comes with a new image processor Venus Engine, which achieves improvement especially in Natural Texture Expression. The engine’s Multi-pixel Luminance Generation renders clear, sharp images by referring to a 9x larger area of pixel information during the de-mosaic process for precise detail reproduction. With Intelligent Detail Processing, the characteristic of every single pixel is analysed to detect whether the pixel is located at a flat, detail or edge part of the picture. Optimum processing according to the characteristic of each pixel is then applied. This results in high-precision yet natural images with stunning detail suppressing false colours at its edges.
Three Dimensional Colour Control
Also, Three Dimensional Colour Control detects not only hue and saturation, but also brightness, and applies optimum control according to the value of each factor. This achieves rich colour reproduction from dark to bright parts of the image. The conventional Multi Process NR (Noise Reduction) is upgraded to High Precision Multi Process NR. It boasts 4x the noise identification accuracy compared to the previous engine and preserves details even after the noise reduction process. As a result, photos can be clearly shot even at high sensitivity ISO values of up to 25600.
5-axis Dual Image Stabilisation
The LUMIX GH5 also incorporates the 5-axis Dual I.S. (Image Stabilizer) 2 , which suppresses blurring in more powerful and advanced ways for both photo and video recording, including 4K video. Combining an O.I.S. (Optical Image Stabilizer, 2-axis) and B.I.S. (Body Image Stabilizer, 5-axis), it compensates for larger movements which were conventionally uncontrollable. The LUMIX GH5’s high-precision gyro sensor controls both the O.I.S. and B.I.S. compensation by studying the focal length and shooting conditions, making it possible to use a max. 5-stop slower shutter speed . This is highly beneficial not only for wide-angle and telephoto shots, but also in adverse situations, such as at night-time or when shooting with one hand.
The world’s first CSC camera that meets professional quality standards.
Records 4K 60p/50p ultra high-definition, smooth video recording
The LUMIX GH Series created an epoch-making industry sensation by achieving outstanding video recording performance with advanced features that meet the needs of professional quality levels and standards. With the LUMIX GH5, the signal readout speed has been accelerated by max 1.7x in the new Digital LIVE MOS Sensor, and the new Venus Engine processes signals at max 1.3x higher speed. This synergy realises 4K 60p/50p ultra high-definition, smooth, video recording for the first time in a compact system camera. It is also capable of internal 4:2:2 / 10-bit video recording, which is the colour subsampling commonly used for film production, for even more faithful colour reproduction.
High-sensitivity MOS Sensor
The high-sensitivity MOS Sensor and Venus Engine effectively suppress rolling shutter distortion and realise high-speed readout of full digital signals. This ensures an outstandingly high image quality for every single frame. In addition, the focal length in video recording is kept the same as that in photo shooting (no cropping).
Choose from multiple formats and frame rates
Users can freely choose between MOV, MP4, AVCHD Progressive and AVCHD formats at a variety of frame rates, and there is no recording time limit for both FHD and 4K video. Professional users working globally can set the system frequency to 59.94Hz (23.98Hz), 50.00Hz or 24.00Hz.
Cinelike D and Cinelike V
While ‘Cinelike D’ and ‘Cinelike V’, which have similar gamma setting characteristics for film production, are available in Photo Style for video recording, the LUMIX GH5 also provides ‘Like 709’ for compatibility with HDTV. A paid software upgrade to support V-LogL video recording is also available.
Waveform monitor and vector scope
In response to requests from professional users, the LUMIX GH5 comes with a Waveform Monitor and Vector Scope. It also embeds SMPTE-compliant Time Code either in Rec Run or Free Run count-up methods, which makes it easy to synchronise multiple video footage or sound sources in the post production workflow. Luminance levels can be selected between 64-1023 / 64-940 / 0-1023 (10-bit). Synchro Scan mode suppresses flicker and Colour Bars (SMPTE / EBU / ARIB Standard) are also available.
New AF system with advanced DFD technology never misses a once-in-a-lifetime moment
Newly improved Depth from Defocus and Contrast AF technology
The LUMIX GH5 comes with a newly improved Depth from Defocus and Contrast AF technology, which not only calculates the distance to the subject by evaluating two images with different sharpness levels, but also analyses the form, size and even motion of the subject comprehensively. Thanks to the new Venus Engine, the time for measuring the distance to the subject is 6x faster, while factorising the distance into in-plane or in-depth is 2x faster.
High-speed AF of approx. 0/05 seconds and 12 (AFS) / 9 (AFC) fps burst shooting
The speed of sensor drive during auto focusing in photo shooting mode has been increased to 480 fps, which is 2x faster than that of the GH4. Consequently, the LUMIX GH5 realises ultra-high-speed AF of approximately 0.05 sec and 12 (AFS) / 9 (AFC) fps high-speed burst shooting using a mechanical shutter in full resolution. By analysing every single frame precisely, it achieves a maximum 200% higher precision frame detection with minimum motion detection error for higher tracking tolerance against moving subjects.
225 focus points
For even more precise focusing, the number of focus areas has been increased from 49 to 225. Users can create a group of focus areas depending on the composition and can control it easily with a new joystick located on the thumb position, without taking your eyes off the subject. This is possible even when using the LVF or releasing the finger off the shutter button.
Post Focus and Focus Stacking function
If focus is not exactly as the user intended when the shutter is pressed, the LUMIX GH5’s Post Focus function enables users to select the specific focus point even after shooting – particularly helpful in situations like macro shooting where severe focusing is required. In addition, the camera also features a Focus Stacking function. As taking a single macro photo with specific areas in focus can sometimes be difficult, Focus Stacking enables users to take multiple images of the same frame with different focus points. You can then combine them into one image with the defocus as you like.
6K/4K Photo Mode
The LUMIX GH5’s new 6K PHOTO function makes it possible to capture unmissable moments at 30 fps by extracting the frame with the best timing out of the 6K burst file (in 3:2 or 4:3 aspect) to save as an approximately 18-megapixel equivalent high resolution photo. 4K PHOTO has also been upgraded enabling 60 fps high speed capture in approximately 8-megapixel equivalent resolution. In 6K/4K PHOTO, three exclusive modes are available to choose from depending on the situation; 6K/4K Burst, 6K/4K Burst (Start/Stop) and 6K/4K Pre-burst. By compensating the signal information between the frames, the Venus Engine makes it possible to apply Post Recording Refinement over the pictures to correct distortion and reduce noise when playing back or cutting images out of the 6K/4K burst file. As a result, the picture quality of 6K/4K PHOTO shot at high shutter speed in high sensitivity or those shot in panning are dramatically improved.
High mobility in rugged design for heavy field use
Strong magnesium-alloy construction
To be tough enough to withstand even heavy field use, the LUMIX GH5’s main structure is composed of a magnesium alloy, full die cast front/rear frame. Secure construction and the sealing of every joint, dial, and button makes the camera not only splash/dust-proof, but also freeze-proof down to -10 degrees Celsius.
Dual SD memory card slots
The LUMIX GH5 is equipped with a double SD Memory Card slot compatible with high-speed, high capacity UHS-II for the first time in the LUMIX digital cameras. Users can flexibly choose the recording method either in Relay Rec, Backup Rec or Allocation Rec.
Large Live View Finder and 3.2" free-angle rear screen
The LUMIX GH5 has a large LVF (Live View Finder) with a stunningly high magnification ratio of approximately 1.52x / 0.76x (35mm camera equivalent). The high-precision, high-speed OLED display features 3,680K-dot high resolution and 100% field of view. Adopting a static-type touch control system, the 3.2-inch free-angle rear screen in 3:2 aspect with 1,620K-dot high resolution achieves approximately 100% field of view.
Finally, the shutter unit is durable for approximately 200,000 releases.
Expandability, optional accessories, other features
The LUMIX GH5 integrates Bluetooth 4.2 and Wi-Fi® 5GHz (IEEE 802.11ac) connectivity to offer a more flexible shooting experience and instant image sharing with easy operation.
The LUMIX GH5 is compatible with the new Battery Grip DMW-BGGH5. By using two batteries, one in the camera and the other in the grip, the DMW-BGGH5 extends the battery life for longer time shooting.
The optionally available microphone adaptor DMW-XLR1 is a plug-in type adaptor for XLR microphone to record high quality stereo sound.
To save power, the camera automatically enters sleep mode after detecting the eye is off the LVF sensor. Various shutter systems are available with the LUMIX GH5: A mechanical shutter with maximum 1/8000 sec, an electronic-first curtain shutter with maximum 1/2000 sec which can be used with flash while suppressing the shutter shock, and an electronic shutter without shutter shock with maximum 1/6000 sec. Firmware updates will add: Full HD 4:2:2 10bit video recording capability (scheduled for April 2017); 400Mbps 4:2:2 10bit All-Intra video recording in 4K 30p/25p/24p; Full HD, high resolution video recording in Anamorphic mode; Hybrid Log Gamma in Photo Style mode which enables popular 4K HDR video recording and USB tethering (all scheduled for second half of 2017).
Key Features
Designed for emerging photo/video-hybrid creators
20.3 megapixel Digital LIVE MOS sensor (no low-pass filter)
Dual IS Mark II system, up to 5EV stops compensation
New Venus processing engine
Records 4K in 60p/50p and 4:2:2 10-bit 4K video
6K (30fps) and 4K (60fps) Photo Mode
12fps continuous shooting (9fps AF-C)
3.2-inch touchscreen LCD
Dual SD card slots (UHS-II compatible)
Live View Finder with 0.76x magnification (35mm equiv.)
Magnesium-alloy, weather-reistant body
Bluetooth and Wi-Fi connectivity The Panasonic Leica DG Vario-Elmarit 12-60mm F2.8-4 lens was first shown at Photokina 2016, and has made its official debut at CES 2017. The first of the Leica DG Vario-Elmarit F2.8-4 series to reach market, this premium lens is equivalent to 24-120mm on a Micro Four Thirds cameras and supports Panasonic's Dual IS system for enhanced shake reduction on compatible bodies. Like other lenses planned for the series, the 12-60mm F2.8-4 is weather-sealed and functional down to +14°F/-10°C, and offers a nine-blade aperture. Panasonic touts it as a good fit for video with a quiet inner focus drive system and a micro-step drive system for smooth aperture adjustments to compensate for changes in brightness. Panasonic is proud to introduce a new standard zoom digital interchangeable lens, the LEICA DG VARIO-ELMARIT 12-60mm / F2.8-4.0 ASPH. / POWER O.I.S. (35mm camera equivalent: 24-120mm) as the first lens to be introduced from its LEICA DG VARIO-ELMARIT F2.8-4.0 Series. Covering a focusing distance from ultra-wide angle to super telephoto, this new LEICA DG VARIO-ELMARIT F2.8-4.0 Series achieves exceptionally high descriptiveness for both photo and video recording, and yet its size is kept compact. All of the lenses in this series feature a 9-blade diaphragm to give the aperture a rounded shape that produces an attractively smooth effect in out-of-focus areas when shooting at larger aperture settings. All lenses also take advantage of Panasonic’s Nano Surface Coating technology to minimize ghosts and flaring. They boast a rugged, dust/splash-proof design and are even freeze-proof down to -10℃ to withstand professional use under harsh conditions. The high-quality video recording capability is also one of the advantages of this lens series. The new LEICA DG VARIO-ELMARIT 12-60mm / F2.8-4.0 ASPH. / POWER O.I.S. offers a versatile 5x zoom range of 24-120mm. It fully covers a variety of daily shooting situations, from dynamic landscapes to portraits even in low-lit situations, providing a beautiful defocus effect by taking advantage of the F2.8-4.0 high-speed performance. Comprising 14 elements in 12 groups, the lens system features four aspherical lenses and two ED (Extra-low Dispersion) lenses that effectively suppress spherical distortion or chromatic aberration to achieve stunning picture quality. The use of these lenses also enables high mobility. In addition to the wide aperture, the POWER O.I.S. (Optical Image Stabilizer) effectively compensates for blurring, making it easy to shoot even in dim lighting. The lens works with the Dual I.S. (Image Stabilizer)*1, 5-axis Dual I.S.*2, and 5-axis Dual I.S.2*3 system when mounted on an applicable Panasonic LUMIX DSLM (Digital Single Lens Mirrorless) camera. The linear motor enables the camera to comply with the sensor drive at max. 240 fps to take full advantage of cameras with high-speed, high-precision Contrast AF. It also helps to reduce wobbling. Notably, the new lens excels in video recording performance. In addition to the silent operation achieved by the inner focus drive system, the micro-step drive system in the aperture control section helps the camera to smoothly catch up to brightness changes when zooming or panning. The optical design achieves exceptional barycentric stability to minimize image shifts during zooming. The AF tracking performance in zooming is also improved thanks to high-speed frame analysis for focus control. Offered in sharp, metallic black color, the new LEICA DG VARIO-ELMARIT 12-60mm / F2.8-4.0 ASPH. / POWER O.I.S. stylishly matches the LUMIX G DSLM cameras. The LEICA DG VARIO-ELMARIT F2.8-4.0 Series lineup will expand with additional lenses. An 8-18mm (16-36mm, 35mm camera equivalent) wide zoom lens and 50-200mm (100-400mm, 35mm camera equivalent) telephoto zoom lens are presently under development.
Panasonic LUMIX G DC-GH5LEG-K Compact System Camera with H-ES12060 lens
Digital Live MOS sensor delivers the ultimate in LUMIX image quality. World's first 4K/60P video recording* support a professional workflow. 6K PHOTO lets you confidently capture moments otherwise left to chance. Explore new dimensions of photography and videography with the LUMIX GH5.
20.3MP Pixel-Perfect Shooter
The LUMIX GH5 packs a real punch with its high performance Digital Live MOS sensor sporting a 20.3 megapixels to achieve the ultimate picture quality in the history of LUMIX G digital cameras. Together with the removal of the low-pass filter from the sensor, you can confidently capture the sharpest ever imagery with high dynamic range and artefact free. The LUMIX GH5 is a camera of beauty created by you and crafted by Panasonic engineering.
Venus Engine Beauty
The marriage of an advanced Digital Live MOS sensor with the beautiful new Venus Engine 10 reproduces extraordinary colour detail and natural texture expression. Multipixel Luminance Generation and Intelligent Detail Processing renders intense brightness and contrast. The Three-Dimensional Colour Control with rich colours from dark to bright shades and high-precision Multi Process NR makes your images pop. Video users will be impressed with the improved performance in perceptual dynamic range at high ISO sensitivity settings.
Got the Shakes? Eliminate blur at any setting
Its difficult to handhold a camera at the best of times. Thanks to the 5-axis Dual I.S. (Image Stabiliser) 2* intelligent compensation comes to your aid. This is the equivalent to 5 doublings of exposure duration meaning you can use a 5-stop slower shutter speed up to tele-end. The LUMIX GH5 eliminates shake in both body and lens from wide-angle to tele-end**. It also works in both photo and video recording, including 4K video. The astonishing power of the 5-axis Body I.S. corrects shake for all lenses, including classic lenses not equipped with O.I.S.
* 5-axis Dual I.S. 2 works when attaching the lens that are compatible with it. Firmware update of the lens is also required.
** Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=50-140mm (35mm film camera equivalent f=100-280mm), when H-FS14140 is used.]
World 1st* 4K 60p/50p Smooth Quality Video
The LUMIX GH5 takes professional shooting performance to another level with high-precision, silky smooth 4K 60p/50p (QFHD 4K: 3840 x 2160 / MOV or MP4) video recording capability. Faster frame rates mean excellent motion compensation plus you can slow down footage inside your video editing timeline without losing detail. You also achieve perfect panning control and a suppression of the rolling shutter effect as seen in lesser frame rates.
High-resolution images and perfect focal length can also be achieved as the LUMIX GH5 features pixel for pixel, no sensor cropping recording. There's also no recording duration limit so you can go beyond 30 minutes in all record settings.
* For a Digital Single Lens Mirrorless camera as of 4 January, 2017.
World 1st* 4:2:2 10-bit Internal Recording
The LUMIX GH5 brings game changing internal 4:2:2 10-bit 4K video recording. For example, 10-bit will render all the subtleties of graduated skies and sunsets without the banding so prone to 8-bit. The power of having film creation capabilities inside the camera sets a new precedent in guerilla style filmmaking, also you can record 4:2:2 10-bit to SD card whilst simultaneously feeding the live signal thru a full-size HDMI port** connected to an external monitor or recorder. 4:2:2 10-bit recording enables faithful colour and grading fidelity with over a billion colours and four times the tonality of 8-bit to match professional intent. A mind-blowing 400Mbps (ALL-Intra) high bitrate recording mode will be available by firmware update***.
* For an interchangeable lens system camera as of 4 January, 2017.
** 4K 4:2:2 10 bit 60p/50p video is output only.
*** Available Summer 2017.
Ultra Fast Motion Detection & Focus
Panasonic's innovative DFD (Depth From Defocus) technology is constantly evolving and its just got even better. DFD allows the LUMIX GH5 to calculate focal lens movement by comparing depth of field values of two images at incredibly high speed. By combining the AF drive with a maximum read speed of 480 fps, the LUMIX GH5 can achieve ultra-high-speed Auto Focus in up to 0.05 seconds* and 9 fps burst shooting with AFC (* 12 fps burst shooting with AFS). A newly adopted motion detector accurately tracks fast moving subjects, and enables smooth 4K PHOTO/VIDEO & 6K PHOTO recording.
** In AFS, at wide-end with H-ES12060 (CIPA).
Never Miss A Shot with 6K/4K Burst
Shoot with unlimited burst, then choose and extract the exact frames you want to keep. The new 6K PHOTO* mode at 30fps allows you to capture the perfect moments at a stunning approx.18-megapixel high-resolution. The Ultra-high-speed 4K PHOTO mode at 60fps freezes even faster motion which is simply not possible in conventional cameras. The LUMIX GH5 truly does make moments unmissable.
* 6K PHOTO is a high speed burst shooting function that cuts a still image out of a 4:3 or 3:2 video footage with approx.18-megapixel (approx. 6000 x 3000 effective pixel count) that the 6K image manages.
Splash/Dust/Freezeproof Rugged Design
The LUMIX GH5 is built to withstand even heavy use out in the field. It is freezeproof down to -10-degrees in addition to splash / dustproof construction thanks to weather sealing on every joint, dial, and button. A magnesium alloy full diecast armour frame makes the body lightweight yet durable while bringing ruggedness to the compact size. This camera can go everywhere you can.
3,680k-dot, Large OLED LVF
A super high-resolution 3,680k-dot OLED LVF (Live View Finder) brings gorgeous visibility and makes for perfect framing even under direct sunlight. A high 0.76x magnification (35mm camera equivalent) makes it easy to see image detail, your settings and icons, and, the long eye point distance of 21mm is excellent for people who wear spectacles. Best of all, the OLED LVF ensures your pictures match up to exactly how you intended them.
LEICA DG VARIO-ELMARIT 12-60mm/F
Finally, the long-awaited standard zoom lens from LEICA has arrived. This 12-60mm (35mm camera equivalent: 24-120mm) lens provides flexible framing from breathtaking landscapes to beautiful, mid-telephoto 60mm portraits. The stunning resolution of this LEICA DG lens renders everything clearly, from corner to corner. Designed for reliable use even under poor weather conditions, this handy and high-quality lens is all you'll need for challenging. Opt for a LEICA DG lens and get the ultimate in optical quality and performance. They naturally meet the strict quality standards set by Leica Camera AG.
Thanks to the sophisticated design of these lenses, you will enjoy brilliant clarity all the way to the edges of your photos. At the same time, distortions of all kind are prevented to enable precise, sharp picture rendering. This means you have the ideal tool for pro-level images in the palm of your hand.
Capture scenes carefree or at the spur of the moment. The optical image stabilisation (O.I.S.) technology built directly into the lens ensures your photos will look great, with sharp blur-free contours across the entire picture.
POWER O.I.S. – ultra-sharp·photos
Taking highly popular MEGA O.I.S. further, this advanced technology immediately compensates even large camera shake and vibrations that may occur in photography. So you can capture true-to-life scenes without the need for a tripod. In the end, you’ll enjoy wonderfully crisp images.
Video Support – perfect video-recording
With video support any user has everything they need for recording with their LUMIX camera. Not only does it perform smooth aperture changes so there are no sudden jumps in exposure, it also boasts a silent design for enhanced capture of the scene’s audio. What’s more, the stunning AF performance of this lens records excellent 4K video, where precise focusing is essential.
Specifications
| TYPE | Type | Digital Single Lens Mirrorless camera | |
| Recording media | SD Memory Card, SDHC Memory Card, SDXC Memory Card (Compatible with UHS-I / UHS-II UHS Speed Class 3 standard SDHC / SDXC Memory Cards) | ||
| Image sensor size | 17.3 x 13.0 mm (in 4:3 aspect ratio) | ||
| Lens mount | Micro Four Thirds mount | ||
| IMAGE SENSOR | Type | Live MOS Sensor | |
| Total pixels | 21.77 Megapixels | ||
| Camera effective pixels | 20.30 Megapixels | ||
| Color filter | Primary color filter | ||
| Dust reduction system | Supersonic wave filter | ||
| IMAGE STABILIZATION SYSTEM | Image sensor shift type (5-axis / 5-stop*), Dual I.S. (Dual I.S. 2 compatible)/* Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm (35mm camera equivalent f=120mm), when H-FS12060 is used. | ||
| RECORDING SYSTEM | Recording file format | Still image | JPEG (DCF, Exif 2.31), RAW |
| 6K PHOTO*1 / 4K PHOTO | 6K PHOTO: MP4 (H.265/HEVC, Audio format: AAC (2ch))/4K PHOTO: MP4 (H.264/MPEG-4 AVC, Audio format: AAC (2ch)) | ||
| Motion picture | MOV: H.264/MPEG-4 AVC (Audio format: LPCM (2ch 48kHz/16-bit, 48kHz/24-bit*, 96kHz/24-bit*)) *When attaching DMW-XLR1 (sold separately)./MP4: H.264/MPEG-4 AVC/AVCHD Progressive, AVCHD (Audio format: Dolby Audio 2ch) | ||
| System frequency | 59.94Hz, 50.00Hz, 24.00Hz | ||
| Aspect ratio | 4:3, 3:2, 16:9, 1:1 | ||
| Image quality | RAW, RAW+Fine, RAW+Standard, Fine, Standard | ||
| Color Space | sRGB, AdobeRGB | ||
| File size(Pixels) -Still Image | 4:3 | 5184x3888(L) / 3712x2784(M) / 2624x1968(S) / 4992x3744(6K PHOTO) / 3328x2496(4K PHOTO) | |
| 3:2 | 5184x3456(L) / 3712x2480(M) / 2624x1752(S) / 5184x3456(6K PHOTO) / 3504x2336(4K PHOTO) | ||
| 16:9 | 5184x2920(L) / 3840x2160(M) / 1920x1080(S) / 3840x2160(4K PHOTO) | ||
| 1:1 | 3888x3888(L) / 2784x2784(M) / 1968x1968(S) / 2880x2880(4K PHOTO) | ||
| File size (Pixels) -Motion picture | AVCHD Progressive*2/ AVCHD*2-59.94Hz | <[Full HD] 1920x1080> 59.94p, 28Mbps (LongGOP) (Dolby)/<[Full HD] 1920x1080> 59.94i, 24Mbps (LongGOP) (Dolby) (Sensor output is 29.97fps)/<[Full HD] 1920x1080> 59.94i, 17Mbps (LongGOP) (Dolby) (Sensor output is 59.94fps)/<[Full HD] 1920x1080> 23.98p, 24Mbps (LongGOP) (Dolby) | |
| AVCHD Progressive*2/ AVCHD*2-50.00Hz | <[Full HD] 1920x1080> 50.00p, 28Mbps (LongGOP) (Dolby)/<[Full HD] 1920x1080> 50.00i, 24Mbps (LongGOP) (Dolby) (Sensor output is 25.00fps)/<[Full HD] 1920x1080> 50.00i, 17Mbps (LongGOP) (Dolby) (Sensor output is 50.00fps) | ||
| Continuous recordable time (Motion picture) | AVCHD [FHD/60p]: Approx. 150 min (rear monitor), 150 min (LVF) with H-ES12060, Approx. 160 min (rear monitor), 150 min (LVF) with H-HSA12035 / H-FS12060/AVCHD [FHD/60i]: Approx. 150 min (rear monitor), 150 min (LVF) with H-ES12060, Approx. 160 min (rear monitor), 160 min (LVF) with H-HSA12035 / H-FS12060/MP4 [4K/60p]: Approx. 100 min (rear monitor), 100 min (LVF) with H-ES12060 / H-HSA12035 / H-FS12060/MP4 [4K/30p]: Approx. 110 min (rear monitor), 110 min (LVF) with H-ES12060 / H-HSA12035 / H-FS12060" | ||
| Actual recordable time (Motion picture) | AVCHD [FHD/60p]: Approx. 75 min (rear monitor), 75 min (LVF) with H-ES12060, Approx. 80 min (rear monitor), 75 min (LVF) with H-HSA12035 / H-FS12060/AVCHD [FHD/60i]: Approx. 75 min (rear monitor), 75 min (LVF) with H-ES12060, Approx. 80 min (rear monitor), 80 min (LVF) with H-HSA12035 / H-FS12060/MP4 [4K/60p]: Approx. 50 min (rear monitor), 50 min (LVF) with H-ES12060 / H-HSA12035 / H-FS12060/MP4 [4K/30p]: Approx. 55 min (rear monitor), 55 min (LVF) with H-ES12060 / H-HSA12035 / H-FS12060 | ||
| WIRELESS | WiFi | IEEE 802.11a/b/g/n/ac * 5GHz Wi-Fi is not available in some countries./1-13, 36, 40, 44, 48, 52, 56, 60, 64, 100, 104, 108, 112, 116, 120, 124, 128, 132, 136, 140 ch | |
| QR Code Connection | Yes | ||
| Password-less connection | Yes (ON / OFF selectable) | ||
| Bluetooth | Bluetooth® v4.2 (Bluetooth Low Energy (BLE)) | ||
| VIEWFINDER | Type | OLED Live View Finder (3,680k dots) | |
| Field of view | Approx. 100% | ||
| Magnification | Approx. 1.52x / 0.76x (35mm camera equivalent) with 50 mm lens at infinity; -1.0 m-1 | ||
| Eye point | Approx. 21 mm from eyepiece lens | ||
| Diopter adjustment | -4.0 - +3.0 (dpt) | ||
| Eye sensor | Yes | ||
| Eye sensor adjustment | High / Low | ||
| FOCUS | Type | Contrast AF system | |
| DFD technology | Yes | ||
| Post Focus | Yes | ||
| Focus Stacking | Yes | ||
| Focus mode | AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF | ||
| AF mode | Face/Eye Detection / Tracking / 225-Area / Custom Multi / 1-Area / Pinpoint/(Full area touch is available) (Scalable AF frame size (by Joystick) and flexible AF position (by front/rear dial)) | ||
| AF detective range | EV -4 - 18 (ISO100 equivalent) | ||
| AF assist lamp | Yes | ||
| AF lock | Yes (AF/AE LOCK button) | ||
| AF custom setting | AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction | ||
| Others | One Shot AF, Shutter AF, Half Press Release, Quick AF, Continuous AF (during motion picture recording), Eye Sensor AF, AF+MF, MF Assist, Touch MF Assist, Focus Peaking, Touch AF/AE Function, Touch Pad AF, Touch Shutter | ||
| EXPOSURE CONTROL | Light metering system | 1,728-zone multi-pattern sensing system | |
| Light metering mode | Multiple / Center Weighted / Spot | ||
| Metering range | EV0-18 （F2.0 lens, ISO100 equivalent) | ||
| Exposure mode | Program AE, Aperture Priority AE, Shutter Priority AE, Manual | ||
| ISO sensitivity (Standard Output Sensitivity) | Still image: Auto / Intelligent ISO / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 (Changeable to 1/3 EV step)/Creative Video Mode: Auto / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 (Changeable to 1/3 EV step) | ||
| Exposure compensation | 1/3 EV step ±5EV (±3EV for motion picture) | ||
| AE lock | Yes (AF/AE LOCK button) | ||
| WHITE BALANCE | White balance | AWB / AWBc / Daylight / Cloudy / Shade / incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4 | |
| White balance adjustment | Blue/Amber bias, Magenta/Green bias | ||
| Color temperature setting | 2500-10000K in 100K | ||
| SHUTTER | Type | Focal-plane shutter | |
| Shutter speed | Still image: Bulb (Max. 30 minutes), 1/8,000 - 60/Electronic first curtain shutter: Bulb (Max. 30 minutes), 1/2,000 - 60/Electronic shutter: 1/16,000 - 1/Motion picture: 59.94Hz: 1/16,000 - 1/30, 50.00Hz: 1/16,000 - 1/25, 23.98Hz: 1/16,000 - 1/24 (When using Synchro Scan) | ||
| Shutter life | Approx. 200,000 images | ||
| Self timer | 10sec, 3 images / 2sec / 10sec | ||
| Remote control | Remote control with Bulb function by DMW-RSL1 (sold separately) | ||
| 6K PHOTO*1 / 4K PHOTO | Burst speed | [6K PHOTO] 30 frames/sec/[4K PHOTO] 60 frames/sec, 30 frames/sec | |
| Exif information | Yes (Each JPEG image cropped out of the 4K burst file complies with EXIF.) | ||
| Marking function | Yes (in 6K/4K Burst (S/S) mode) | ||
| Loop rec function | Yes (in 6K/4K Burst (S/S) mode) | ||
| BRACKET | AE bracket | 3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst | |
| Aperture Bracket | 3, 5 or all positions in 1 EV step | ||
| Focus Bracket | 1 to 999 images, focus steps can be set in 5 levels | ||
| White balance bracket | 3 exposures in blue/amber axis or in magenta/green axis, color temperature setting | ||
| BURST SHOOTING | Burst speed | [Mechanical shutter] AFS/MF: H: 12 frames/sec, M: 7 frames/sec (with Live View), L: 2 frames/sec (with Live View)/[Mechanical shutter] AFF/AFC: H: 9 frames/sec, M: 7 frames/sec (with Live View), L: 2 frames/sec (with Live View)/[Electronic shutter] AFS/MF: H: 12 frames/sec, M: 7 frames/sec (with Live View), L: 2 frames/sec (with Live View)/[Electronic shutter] AFF/AFC: H: 9 frames/sec, M: 7 frames/sec (with Live View), L: 2 frames/sec (with Live View) | |
| Number of recordable images | More than approx. 60 images (when there are RAW files with the particular speed)/More than approx. 600 images (when there are no RAW files)/(depending on memory card size, battery power, picture size, and compression) | ||
| FLASH | Flash type | TTL External Flash (sold separately) | |
| Flash Mode | Auto*, Auto/Red-eye Reduction*, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off * For iA, iA+ only. | ||
| Synchronization speed | Less than 1/250 second | ||
| Flash output adjustment | 1/3EV step ±3EV | ||
| Flash synchronization | 1st. Curtain Sync, 2nd Curtain Sync. | ||
| Synchronization for flash dimming and exposure compensation | Yes | ||
| Wireless control | Yes (When using DMW-FL200L / FL360L / FL580L (sold separately)), Wireless Channel: 1ch/2ch/3ch/4ch | ||
| Flash sync socket | Yes | ||
| REAR MONITOR | Type | TFT LCD monitor with static touch control | |
| Monitor size | Free-angle 3.2-inch (8.0cm) / 3:2 aspect / Wide viewing angle | ||
| Pixels | Approx. 1,620k dots | ||
| Filed of view | Approx. 100% | ||
| Monitor adjustment | Brightness, Contrast, Saturation, Red-Green, Blue-Yellow | ||
| LIVE VIEW | Digital zoom | 2x, 4x | |
| Extra Tele Conversion | Still image: Max. 2x/4K PHOTO: 1.6x (4:3), 1.5x (3:2), 1.4x (16:9, 1:1)/Motion picture: 2.7x (FHD), 1.4x (4K) | ||
| Other functions | Level Gauge, Real-time Histogram, Guide Lines (3 patterns), Center Marker, Highlight display (Still image / motion picture), Zebra pattern (Still image / motion picture) | ||
| DIRECTION DETECTION FUNCTION | Direction Detection Function | Yes | |
| FUNCTION BUTTON | Fn1-20 | Wi-Fi / Q.MENU / LVF/Monitor Switch / LVF/Monitor Disp. Style / AF/AE LOCK / AF-ON / Preview / One Push AE / Touch AE / Level Gauge / Focus Area Set / Zoom Control / 1 Shot RAW+JPG / 1 Shot Spot Metering / Cursor Button Lock / Dial Operation Switch / Photo Style / Filter Select / Aspect Ratio / Picture Size / Quality / AFS/AFF / Metering Mode / Burst Rate / 6K/4K Photo / Self Timer / Bracket / Highlight Shadow / i. Dynamic / i. Resolution / HDR / Shutter Type / Flash Mode / Flash Adjust. / Wireless Setup (Flash) / Ex. Tele Conv. / Digital Zoom / Stabilizer Sensitivity / ON/OFF of each item in White Balance / ON/OFF of each item in Photo Style / AF Mode/MF / Rec/Playback Switch / Off / 4K Live Crop / Motion Pic. Set / Picture Mode / Variable Frame Rate / Picture Mode / Synchro Scan / Time Code Display / Mic. Directivity Adjust / Color Bars / WFM/Vector Scope / LUT Monitor Display* / LUT HDMI Display* / Focus Transition / Silent Mode / Peaking / Histogram / Guide Line / Zebra Pattern / Monochrome Live View / Rec Area / Video-Priority Display / Step Zoom / Zoom Speed / Restore to Default *Upgrade Software Key DMW-SFU1 (sold separately) is required. | |
| PHOTO STYLE | Photo Style | Standard / Vivid / Natural / Monochrome / L. Monochrome / Scenery / Portrait / Custom 1, 2, 3, 4 / Cinelike D / Cinelike V / Like709* / V-LogL*/**/*When Creative Video Mode is selected. **Upgrade Software Key DMW-SFU1 (sold separately) is required. | |
| CREATIVE CONTROL | Creative Control | Expressive / Retro / Old Days / High Key / Low Key / Sepia / Monochrome / Dynamic Monochrome / Rough Monochrome* / Silky Monochrome* / Impressive Art / High Dynamic / Cross Process / Toy Effect / Toy Pop / Bleach Bypass / Miniature Effect** / Soft Focus* / Fantasy / Star Filter* / One Point Color / Sunshine* *For photos only. **Not available in 4:2:2 10-bit video or 4K video recording. | |
| CREATIVE VIDEO MODE | Exposure mode | Program AE/ Aperture-Priority / Sutter-Priority / Manual Exposure | |
| Variable frame rate | 59.94Hz | 2, 30, 56, 58, 60, 62, 64, 90, 120, 150, 180 fps/ 2, 15, 26, 28, 30, 32, 34, 45, 60 fps/ 2, 15, 26, 28, 30, 32, 34, 45, 60, 75, 90, 105, 120, 135, 150, 165, 180 fps/ 2, 12, 20, 22, 24, 26, 28, 36, 48, 60 fps/ 2, 12, 20, 22, 24, 26, 28, 36, 48, 60, 72, 84, 96, 108, 120, 132, 144, 156, 168, 180 fps | |
| 50.00Hz | 2, 25, 46, 48, 50, 52, 54, 75, 100, 150, 180 fps/ 2, 12, 21, 23, 25, 27, 30, 37, 60 fps/ 2, 12, 21, 23, 25, 27, 30, 37, 50, 62, 75, 87, 100, 125, 150, 175, 180 fps | ||
| 24.00Hz | 2, 12, 20, 22, 24, 26, 28, 36, 48, 60 fps/ 2, 12, 20, 22, 24, 26, 28, 36, 48, 60, 72, 84, 96, 108, 120, 132, 144, 156, 168, 180 fps | ||
| MOTION PICTURE | LUT display | LUT Monitor Display / LUT HDMI Display *Upgrade Software Key DMW-SFU1 (sold separately) is required. | |
| FUNCTION | |||
| Master pedestal level | 31 steps | ||
| Luminance level | 8-bit: 0-255 / 16-235 / 16-255/10-bit: 0‒1023 / 64‒940 / 64‒1023 | ||
| Wave form monitor / Vectorscope | Selectable | ||
| Synchro scan | Yes | ||
| Time code | Count Up: Rec Run/Free Run selectable, Time Code Mode: Drop frame/Non-drop frame selectable (When system frequency [59.94Hz] is selected.) | ||
| SS/Gain operation | Shutter Duration/ISO / Angle/ISO / Shutter Duration/dB | ||
| Color bars / 1kHz test tone | Yes (SMPTE / EBU / ARIB) / Yes | ||
| Photo style for motion picture | Cinelike D / Cinelike V / Like709* / V-LogL*/**/*When Creative Video Mode is selected. **Upgrade Software Key DMW-SFU1 (sold separately) is required. | ||
| Knee control | Yens (in Like709 mode) | ||
| PLAYBACK | Playback mode | 30-thumbnail display, 12-thumbnail display, Calendar display, Zoomed playback (Max. 16x), Slideshow (All / Picture Only / Video Only, duration & effect is selectable), Playback Mode (Normal / Picture Only / Video Only), Location Logging, RAW Processing, 4K PHOTO Bulk Saving, Light Composition, Clear Retouch, Title Edit, Text Stamp, Video Divide, Time Lapse Video, Stop Motion Video, Resize, Cropping, Rotate, Rotation Display, Favorite, DPOF Print Set, Protect, Face Recognition Edit, Picture Sort, Creating Still Pictures from a Motion Picture | |
| IMAGE PROTECTION / ERASE | Protection | Single / Multi or Cancel | |
| Erase | Single / Multi / All / Except Favorite | ||
| Direct Print | PictBridge compatible | ||
| INTERFACE | Headphone output | φ3.5mm for headphone | |
| USB | USB Type-C, Super Speed USB3.1 GEN1 | ||
| HDMI*3 | Monitor-through | 4:2:2 8-bit/4:2:2 10-bit (When [4K/60p] [4K/50p] mode is selected, it is not possible to record motion picture or still picture on the SD memory card in the camera unit.)/Auto / C4K / 4K / 1080p/Information display ON/OFF (selectable)/Automatic down-conversion (4K --> 1080p only) | |
| Playback | HDMI TypeA / VIERA Link, Audio: Stereo/59.94Hz: Auto / 4K/60p / 4K/30p / 1080p / 1080i / 720p / 480p/50.00Hz: Auto / 4K/50p / 4K/25p / 1080p / 1080i / 720p / 576p/24.00Hz: Auto / C4K / 4K/24p / 1080p | ||
| Audio video output | No | ||
| Remote input | φ2.5mm for remote | ||
| External microphone input | φ3.5mm for external microphone/Stereo/Lens Auto/Shotgun/Super Shotgun/Manual is selectable when attaching DMW-MS2 (sold separately). | ||
| Microphone | Stereo, Wind Noise Canceller: OFF / Low / Standard / High / AUTO | ||
| Speaker | Monaural | ||
| SD card slot | Slot 1, Slot 2 | ||
| LANGUAGE | OSD language | Japanese, English, German, French, Italian, Spanish | |
| POWER | Battery | Li-ion Battery Pack (7.2V, 1860mAh, 14Wh) (included) | |
| Battery life (CIPA standard) | Approx. 410 images (rear monitor), 400 images (LVF), 1,000 images (Power Save LVF mode*) with H-FS12060/Approx. 410 images (rear monitor), 390 images (LVF), 1,000 images (Power Save LVF mode*) with H-HSA12035/Approx. 400 images (rear monitor), 380 images (LVF), 1,000 images (Power Save LVF mode*) with H-ES12060/* Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 3 sec. | ||
| Battery grip | DMW-BGGH5 (sold separately) | ||
| DIMENSIONS / WEIGHT | Dimensions (W x H x D) | 138.5 x 98.1 x 87.4 mm / 5.45 x 3.86 x 3.44 inch (excluding protrusions) | |
| Weight | Approx. 725g / 1.60 lb (SD card, Battery, Body)/Approx. 645g / 1.42 lb (Body only)/Approx. 935g / 2.06 lb (SD card x 1, Battery, H-FS12060 lens included)/Approx. 1030g / 2.27 lb (SD card x 1, Battery, H-HSA12035 lens included)/Approx. 1045g / 2.30 lb (SD card x 1, Battery, H-ES12060 lens included) | ||
| OPERATING ENVIRONMENT | Operating temperature*5 | -10℃ to 40℃ (14°F to 104°F) | |
| Operating humidity | 10%RH to 80％RH | ||
| STANDARD ACCESSORIES | Software | ・ The software to edit and playback images on computer is not bundled with this camera. To do this, PHOTOfunSTUDIO 10.0XE is available for download at Panasonic website using computer connected to the Internet. http://panasonic.jp/support/global/cs/soft/download /d_pfs99pe.html (For Windows) ・ The software to process RAW file on computer is not bundled with this camera. To do this, SILKYPIX Developer Studio is available for download at Ichikawa Soft Laboratory's website using computer connected to the Internet. http://www.isl.co.jp/SILKYPIX/english/p/ (For Windows / Mac) | |
| Standard accessories | Battery Charger (AC Cable included), Battery Pack, Body Cap, Hot Shoe Cover, Eye Cup, Flash Syncro Socket Cap, Cover for the Battery Grip Connector, USB Connection Cable, Shoulder Strap, Cable Holder | ||
| NOTE | *1 6K PHOTO is a high speed burst shooting function that cuts a still image out of a 4:3 or 3:2 video footage with approx. 18-megapixel (approx. 6000 x 3000 effective pixel count) that the 6K image manages. | ||
| NOTE | *2 About motion picture recording / 6K PHOTO/4K PHOTO recording | ||
| NOTE | - Use a card with SD Speed Class with "Class 4" or higher when recording motion pictures in [AVCHD] or [MP4(under 28Mbps)]. | ||
| NOTE | - Use a card with SD Speed Class with "UHS-I / UHS-II UHS Speed Class 3 (U3)" when recording motion pictures with [mov], [MP4] in [4K] or [6K PHOTO/4K PHOTO]. | ||
| NOTE | (SD speed class is the speed standard regarding continuous writing.) | ||
| NOTE | - MP4 motion pictures with [MP4] in [4K]: | ||
| NOTE | - When using an SDHC memory card: You can continue recording without interruption even if the file size exceeds 4 GB, but the motion picture file will be divided and recorded/played back separately. | ||
| NOTE | - When using an SDXC memory card: You can continue recording without interruption even if the file size exceeds 96 GB or 3 hours 4 minutes in length, but the motion picture file will be divided and recorded/played back separately. | ||
| NOTE | - MP4 motion pictures with [MP4] in [FHD]: | ||
| NOTE | - You can continue recording without interruption even if the file size exceeds 4 GB or 30 minutes in length, but the motion picture file will be divided and recorded/played back separately. | ||
| NOTE | *3 For [4K 60p] video output, use an HDMI2.0 cable that has the HDMI logo on it, and that is described as"4K compatible". | ||
| NOTE | *4 High-res audio is selectable only when using the DMW-XLR1 (sold separately). | ||
| NOTE | *5 The camera may stop recording when used in lower or higher than recommended operating temperature: -10 to 40 degrees. | ||
| NOTE | ・4:2:2 10-bit recording is a recording mode for film production and the video needs to be processed on PC. The original video cannot be played on standard TV, Blu-ray Disc™ recorder and Blu-ray Disc™ player. It may cause problems such as freezing when played on these devices. | ||
| Type of Product | Mirrorless Camera |
| Model | Panasonic DC-GH5 |
| Camera set | with lens (kit) |
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