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SEETEC ATEM156S-CO is a full HD broadcast carry-on monitor, equipped with 4x3G-SDI inputs and outputs, 1 x HDMI input interface and RS485, GPI control interface. Adopts Rec.709 color standard, display vivid images and professional effects. Rugged and durable aluminium housing; With 3D-LUT, waveform, vectorscope, histogram, peaking focus and other wonderful functions, all of functions can be easily operated and controlled via the front panel buttons. The portable aviation aluminum case can easily handle even harsh location shooting. It is an ideal monitor for film and television crews, broadcast and post-production!
The ATEM156S-CO adopts a 15.6-inch LCD panel, with high resolution 1920x1080, accurate color reproduction, provides you natural and clear image; 800:1 contrast ratio, 170° wide viewing angle, allows you to see clearly no matter you monitor from which angle.
Time and costs are important for film crews. This becomes more obvious if there are frequent scene changes during on-set production. The ATEM156S-CO provides an aviation aluminium case, which has the characteristics of dust-proof, waterproof, high temperature resistance, and corrosion resistance. It is suitable for carrying and application in different environments, and provides safer protection for the monitor.
The innovative combined structure design can quickly complete the disassembly and installation of the monitor, making it easy to use for both indoor and outdoor settings.
The handle is of moderate size and comfortable to hold, effectively relieving the weight-bearing feeling caused by the movement of the device, making it easy to carry.
Both the case links and the front and rear covers adopt beautiful butterfly shape locks that are durable and aesthetically pleasing.
Accurate color reproduction is one of the important indicators for measuring professional monitors. The ATEM156S-CO built-in 3D-LUT adopts the professional Rec.709 HD color standard and uses color calibration technology, with professional instrument calibration at the factory to ensure the consistency of color reproduction of each monitor.
When you are busy at the shooting scene, you need to be able to easily control the equipment, and the ATEM156S-CO can meet your needs. It can switch between one-button sources, custom shortcuts, and quickly adjust brightness, contrast, volume, etc. to make shooting easier. The backlight button design makes it easier for you to distinguish the current input signal and the shortcut keys used, making it easy to use even in dimly lit studio or outdoor environments.
ATEM156S-CO monitors are the perfect choices to add SDI monitoring anywhere you need it. It comes with 4x3G-SDI signal inputs and outputs, suitable for multicamera shooting in crew, and simultaneous monitoring by multiple persons. In addition, it also has an HDMI input, RS485, and GPI control interface to meet different needs.
The monitor provides DC 12V/2A/3A power, XLR connector, and Sony V-mount battery plate for options. Note: The battery plate default is V-mount Plate; the client can choose Panasonic Anton Plate as an option.
The monitor provides a series of professional auxiliary monitoring tools, such as waveform, 3D-LUT, peaking filter, histogram, vectorscope, audio meter, time code, anamorphic mode, etc. All functions can be easily selected and operated from the menu, and can also be set as shortcut buttons or via GPI control. This effectively improves the efficiency of on-site shooting and post-production.
3D-LUT is a table for quickly looking up and outputting specific color data. By loading different 3D-LUT tables, it can quickly recombine color tones to form different color styles. Built-in 4 DE-log LUT, you can also load the custom .cube file via USB flash disk (up to load 36).
Supports HDR (high dynamic range) monitoring, for incredible clarity and details, effectively enhancing the overall picture quality. When HDR is activated, you can select Gamma and Gamut corresponding to the companies Sony, Canon, Panasonic, Fujifilm, Bolex, RED, ARRI.
Built-in waveform monitoring allows you to choose from waveform (RGB Parade, YUV Parade, Y Parade), vectorscope, histogram, audio phase and level displays, providing broadcast-accurate waveform monitoring that shows everything you need to know technically about your video and audio signals. The functions can be opened separately, and also support one key to open all scope modes with right/left adjustment. The ATEM156S-CO becomes the ideal choice for live production monitoring, so you no longer need to use separate expensive scopes!
ATEM156S-CO supports UMD of TSL 3.1/4.0 protocol, with 0-126 TSL address selection, and a maximum of 16 letters displayed. The UMD inputs via RS485 port and outputs via RS485 port.
GPI controls Red Tally and Green Tally, which not only remind the photographer to enter the recording state but also appreciate the convenience of TV shooting quasi-professional technology in your creation.
The screen can be set to full screen, picture-in-picture, and quad to meet different monitoring needs. In the picture-in-picture mode, the size and position of the sub-window can be adjusted. In the quad screen mode, it supports SDI signal simultaneous display of 4-channel audio meter and 4 time codes.
The monitor can de-embed audio from SDI and HDMI. It supports selecting any 2 channels of audio to output via a 3.5mm headphone jack. Under SDI audio, it supports a maximum of 16-ch embedded audio meters display. Under HDMI audio, only 2 channels audio displays are supported.
ATEM156S-CO provides 4 groups of custom menu settings, which will be automatically saved after setting, and there is no need to reset when you turn it on next time, saving time costs.
New extended screen sun hood, to acquire the ideal visual effect in almost all environments.
No matter the environment of cold snow or hot desert, the ATEM156S-CO can easily handle.
Supports 4x 3G-SDI inputs.
You can adjust the proportion and position of the sub-window.
The Brightness Histogram is a quantitative tool to check the picture brightness. The feature shows the distribution of brightness in an image as a graph of brightness along the horizontal axis (Left Dark, Right Bright) and a stack of the number of pixels at each level of brightness along the vertical axis.
The Peaking Filter is used to aid the camera operator in obtaining the sharpest possible picture. When activated, the internal processor will display a colored highlight on the screen where sharp edges appear. You can switch the outline color between red, green, and blue according to the different tones of the subject.
The False Colors filter is used to aid in the setting of camera exposure. As the camera Iris is adjusted, elements of the image will change color based on the luminance or brightness values. This enables proper exposure to be achieved without the use of costly, complicated external test equipment.
The Exposure is used to assist in exposure adjustment in the mode of Zebra Pattern. It is considered overexposed and displays moving warning lines onto the overexposed areas. 1-100IRE adjustable.
Check Field is an assistant function to adjust camera color settings. Under the check field mode, you can use red, green, blue, or mono pixels to generate the image, because hue and saturation can be adjusted more quickly and accurately in this environment.
Image zoom is to enlarge the image to 4X, 9X, or even 16X high-quality close-up.
Built-in selection of no squeeze, 1.3, or 2.0 allows you to use anamorphic lenses or adapters and see the image unsqueezed, even if your camera does not de-squeeze in camera. A 2.0 mag mode magnifies the center of your image so you can check the focus of your scaled image.
Enable the filmmaker to check the image from the 11 signal source without scaling. This feature is essential for capturing optimum detail.
Shows the time code of the SDI signal.
Safety Marker for View Finding and Composition (70, 80, 90, 169, 1610, 43, 54, 1.851, 2.351, user). You can switch the Mark color between Yellow, Cyan, Purple, Red, Green, Blue, White, and Black according to the different tones of the subject.
When making TV show production on set, the amazing clarity of the HD resolution screen means you can easily check focus and watch for color consistency across all of your cameras, better control the quality of program output. Tally is included in monitors so you get red or green indicate light for on-air and preview status indication on the monitor itself. GPI controlling allows you to quickly select the function you needed, saving time and improving shooting efficiency.
ATEM156S-CO is the perfect solution for seeing all of the video. All of the SDI video inputs are with loop out and support 2K video format. Allows you to get a real-time overview of all your screens.
With a full HD large screen, supports 3D LUTs to adjust and calibrate color, HDR, histogram, vectorscope, peaking focus, etc. functions, collocated with the attached sun hood, you can also clearly see the screen even outdoors. ATEM156S-CO is the perfect monitor for on-set shooting and post-production. The important thing is you can also make one-key all waves monitoring, so you know in real-time the true quality of incoming video feeds. ATEM156S is your complete monitoring solution for program production.
ATEM156S-CO is equipped with 4 3G-SDI inputs and outputs, which makes it more suitable for professional crew shooting. With multiple display modes, the director can not only monitor each shot in real-time but also monitor more details on the full screen, so as to better communicate with the photographer in time.