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Complete solution for multi-camera on set shooting, monitoring and post production. SEETEC ATEM215S-CO is a full HD broadcast carry-on monitor, equipped with 4x3G-SDI inputs and outputs, 1 x HDMI input interface and RS485, GPI control interface. Adopts Rec.709 color standard, display vivid images and professional effects. Rugged and durable aluminium housing; With 3D-LUT, waveform, vectorscope, histogram, peaking focus and other wonderful functions, all of functions can be easily operated and controlled via the front panel buttons. The portable aviation aluminum case can easily handle even harsh location shooting. It is an ideal monitor for film and television crews, broadcast and post-production!
The ATEM215S-CO adopts a 21.5-inch LCD panel, with high resolution 1920x1080, accurate color reproduction, provides you natural and clear image; 250cd/ brightness, 10001 contrast ratio, 178 wide viewing angle, allows you to see clearly no matter you monitor from which angle.
Ideal choice for filming shooting
Time and costs are important for film crews. This becomes more obvious if there are frequent scene changes during on-set production. The ATEM215S-CO provides an aviation aluminium case, has the characteristics of dust-proof, waterproof, high temperature resistance, and corrosion resistance and so on. It is suitable for carrying and application in different environments, and provides a safer protection for the monitor.
The innovative combined structure design can quickly complete the disassembly and installation of the monitor, and easily make the monitor use for both indoor and outdoor.
The handle with moderate size and comfortable to hold, effectively relieve the weight-bearing feeling caused by the movement of the device, easy to carry.
Both the case links and the front and rear covers adopt beautiful butterfly shape locks, durable and good looking.
Use Rec.709 color standard
Accurate color reproduction is one of the important indicators for measuring professional monitors. ATEM215S-CO built-in 3D-LUT, adopts the professional Rec.709 HD color standard, and uses the color calibration technology, with the professional instrument calibration at the factory to ensure the consistency of color reproduction of each monitor.
When you are busy at the shooting scene, you need to be able to easily control the equipment, and the ATEM215S-CO can meet your needs. It can switch between one-button sources, custom shortcuts, and quickly adjust brightness, contrast, volume, etc. to make shooting easier. The backlight button design makes it easier for you to distinguish the current input signal and the shortcut keys used, easy to use even in dimly lit studio or outdoor environments.
Perfect SDI monitoring
ATEM215S-CO monitors are the perfect choices to add SDI monitoring anywhere you need it. It comes with 4x3G-SDI signal inputs and outputs, suitable for multicamera shooting in crew, and simultaneous monitoring by multiple persons. In addition, it also has an HDMI input, RS485, GPI control interface, meeting different needs.
Accurately focus and efficient monitoring
The monitor provides a series of professional auxiliary monitoring tools, such as waveform, 3D-LUT, peaking filter, histogram, vectorscope, audio meter, time code, anamorphic mode, etc. All functions can be easily selected and operated from the menu, also can set shortcut buttons or via GPI control. Effectively improve the efficiency of on-site shooting and post-production.
Supports up to load 36 custom LUTs
3D-LUT is a table for quickly looking up and output specific color data. By loading different 3D-LUT tables, it can quickly recombine color tone to form different color styles. Built-in 4 DE-log LUT, you can also load the custom .cube file via USB flash disk (up to load 36).
What you see is what you get
Supports HDR (high dynamic range) monitoring, for incredible clarity and details, effectively enhancing the overall picture quality. When HDR is activated, you can select Gamma and Gamut corresponding to the company Sony, Canon, Panasonic, Fujifilm, Bolex, RED, ARRI.
Save your budget
Built-in waveform monitoring, you can choose from waveform (RGB Parade, YUV Parade, Y Parade), vectorscope, histogram, audio phase and level displays, and get broadcast accurate waveform monitoring that shows everything you need to know technically about your video and audio signals. The functions can be opened separately, and also support one key to open all scope mode can be right/left adjustment. ATEM215S-CO becomes the ideal choice for live production monitoring, so you no longer need to use a separate expensive scopes!
ATEM215S-CO supports UMD of TSL 3.1/4.0 protocol, with 0-126 TSL address selection, and Max 16 letters displayed. The UMD inputs via RS485 port and outputs via RS485 port.
GPI controls Red Tally and Green Tally, which not only can remind the photographer to enter the recording state, but also appreciate the convenience of TV shooting quasi-professional technology in your creation.
Meet different monitoring needs
The screen can be set to full screen, picture-in-picture and quad to meet different monitoring needs. In the picture-in-picture mode, the size and position of the sub-window can be adjusted. In the quad screen mode, supports SDI signal simultaneously display 4-channel audio meter and 4 time code.
The monitor can de-embed audio from SDI and HDMI. Support select any 2 channels audio to output via 3.5mm headphone jack. Under SDI audio, it supports max 16-ch embedded audio meters display. Under HDMI audio, only 2 channels audio displays are supported.
ATEM215S-CO provides 4 groups custom menu setting, which will be automatically saved after setting, and there is no need to reset when you turn on next time, saving time cost.
New extended screen sun hood, to acquire the ideal visual effect in almost all environments.
No matter the environment of cold snow or hot desert and so on, the ATEM215S-CO can easily handle.
Supports 4x 3G-SDI inputs.
You can adjust the proportion and position of the sub window.
The Brightness Histogram is a quantitative tool to check the picture brightness. The feature shows the distribution of brightness in an image as a graph of brightness along the horizontal axis (Left Dark, Right Bright) and a stack of the number of pixels at each level of brightness along the vertical axis.
The Peaking Filter is used to aid the camera operator in obtaining the sharpest possible picture. When activated, the internal processor will display a colored highlight on the screen where sharp edges appear. You can switch the outline color between red, green, blue according to different tones of the subject.
The False Colors filter is used to aid in the setting of camera exposure. As the camera Iris is adjusted, elements of the image will change color based on the luminance or brightness values. This enables proper exposure to be achieved without the use of costly, complicated external test equipment.
The Exposure is used to assist in exposure adjustment in the mode of Zebra Pattern. It is considered overexposed and displays the moving warning lines onto the overexposed areas. 1-100IRE adjustable.
Check Field is an assistant function to adjust camera color settings. Under the check field mode, you can use red, green, blue or mono pixels to generate the image, because hue and saturation can be adjusted more quickly and accurately in this environment.
Image zoom is to enlarge the image to 4X, 9X even 16X high-quality close-up.
Built-in selection of no squeeze, 1.3 or 2.0 allows you to use anamorphic lenses or adapters and see the image unsqueezed, even if your camera does not de-squeeze in camera. A 2.0 mag mode magnifies the center of your image so you can check the focus of your scaled image.
Enable the filmmaker to check the image from the 11 signal source without scaling. This feature is essential for capturing optimum detail.
Shows the time code of the SDI signal.
Safety Marker for View Finding and Composition (70, 80, 90, 169, 1610, 43, 54, 1.851, 2.351, user). You can switch the Mark color between Yellow, Cyan, Purple, Red, Green, Blue, White and Black according to different tones of the subject.
When making TV show production on set, the amazing clarity of the HD resolution screen means you can easily check focus and watch for color consistency across all of your cameras, better control the quality of program output. Tally is included in monitors so you get red or green indicate light for on air and preview status indication on the monitor itself. GPI controlling allows you to quickly select the function you needed, save time and improve shooting efficiency.
ATEM215S-CO is the perfect solution for seeing all of the video. All of SDI video inputs are with loop out, and supports 2K video format. Allows you to get a real-time overview of all your screens.
With full HD large screen, supports 3D LUTs to adjust and calibrate color, HDR, histogram, vectorscope, peaking focus, etc. functions, collocate with the attached sun hood, you can also clearly see the screen even outdoor. ATEM215S-CO is the perfect monitor for on-set shooting and post production. The important thing is you can also make one-key all waves monitoring, so you know real-time the true quality of incoming video feeds. ATEM215S-CO is your complete monitoring solution for program production.
Great choice for director in crew. ATEM215S-CO is equipped with 4 3G-SDI inputs and outputs, which makes it more suitable for professional crew shooting. With multiple display modes, let the director can not only monitor each shot in real time, but also monitor more details on the full screen, so as to better communicate with the photographer in time.